Dua Lipa, or how the dance factory moves its hair at Mad Cool

Under the Bernabeús of Taylor Swift And Carol G Another pop queen has arrived in the capital in these days to take advantage of its 80 million monthly listeners on Spotify in a Mad Cool with a lot of atmosphere to receive it. It is the great attraction of this edition, with and without permission of Pearl Jam And The murderers. Is Dua LipaYes. And how the British dance factory moves its hair.

I used to act Janelle MonáeThe American diva redeemed herself from her cancellation last year (she was replaced by MIA at the last minute) with a show in which she managed to make reggae somewhat sexy. She wore a baseball jacket and stockings that reached her genitals and attacked a very sensual 'Lipstick Lover' change into pink bloomers which seemed clitoral in an opening and closing movement and then played a 'Yoga' with a beret and 'hot' choreography, a gospel rap with trombone flashes included, and closed with a tribute to Michael Jackson and his 'The way you make I feel shocking.

We also saw it for a while right after that Waste with an irregular sound, with good moments and with Shirley Manson as always, radiating charisma between shrill guitars.

But this maximum capacity for 58,000 people, which we cannot specify because we were not told how many there were, this festival full of brands everywhere, what seems like the internet full of 'banners', but in reality, the Spanish CoachellaCome on, I was mainly waiting for Dua Lipa, the British icon of Albanian descent who came to present her new album'Radical optimism'.

With photo from the day before with Pedro Almodovar and the writer Alana Porterouploaded to Twitter by the community manager Augustin Almodóvarthe singer literally jumped on stage with “Training Season,” with dancers' bodies swaying back and forth, dressed in black to enhance the shine of Lipa, who wore silver, a miniskirt, and a torso-baring top. And big boots. AND Ayuso In the stands, Lipa is a queen of transversality like few others.

With a set of two fire escapes the artist undertook 'One Kiss', hypersexy, hyperaware of her great beauty. And then came a spectacular 'Ilusion', one of their classics. And how good it all sounded. Even a woman in her twenties in a wheelchair joined in to dance! Wonder!

Negative reviews? Too much perfection? It's like someone saying it's too detailed, actually a compliment because it wasn't aseptic either, everything went very well, people danced everything and it seemed like we were living in a fragrance commercial, especially Lipa who was in charge of the elegant nightclub in which nothing failed. How to complain. Since we never saw her navel, we thought: yes, she wasn't human and we were dealing with a replicant or a techno-Alban AI, but then she dared to give a speech in Spanish, where she was seen, actually several times, excited and even improvising dialogues with the band, something that Taylor Swift should be banned for example or something like that.

“I am very happy and grateful to be here. I feel blessed. The people of Spain have a lot of light and love. They fill me with energy. Thank you for your love,” he said as the wind combed and blew through his hair, as it did during the concert, to throw it back again and sing “Be the one.” Highlights? Too many and none because of the quasi-roundness, but especially “Love again,” with that peculiar violin, “New Rules” and “Hallucinate.” In short, a nice electropop party to enjoy the lightness and sensuality of existence.

Finally with satanic priestly black cassock, Billy Corgan And his Breaking pumpkins They offered a great show full of recent songs and great classics, for the nostalgic enjoyment of one of the legendary bands of the 90s, Simpsons. There was no shortage of 'Today', '1979', 'Ava Adore', 'Tonight, Tonight' or 'Disarm', with the leader accompanied by his old friend on guitar, James Ihaand a double female voice alongside multiple members in a very lively setting with even a playful Corgan, who gives emotion to the skin where Lipa has not yet reached or does not want to reach.

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